Scott Martin’s new book, A New Sense of Direction in Tarot-Behind the Scenes with Pamela Colman Smith (working title), is currently in progress and will be released soon!
Enjoy this “sneak peak” from Scott’s upcoming book, published by Schiffer Publishing.
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An excerpt from A New Sense of Direction in Tarot-Behind the Scenes with Pamela Colman Smith (working title) – The Judgement Spread. © 2021 (This material is copyrighted and cannot be used in any form without the express permission of and credit to the author.)
Pamela Colman Smith has been a rather elusive figure until recently. For all that was known about her, much remained a matter of supposition. But we do know that she was an artist in the theatre, a creative genius, a mystic and a clairvoyant in her own right. However, she will be best remembered as the artist who designed pictures on seventy-eight Tarot cards in 1909 that became known as the Rider-Waite-Smith Tarot Deck; this deck became the most famous and iconic Tarot deck of its time and is still the most widely used today.
Pamela Colman Smith spent much of her life in the theatre, as an actress, director, costume and set designer. It was this part of her life that particularly resonated with me. There was much there to which I could relate. I was also introduced to the theatre at a young age and spent my professional life there. I have worked professionally as an actor and director as well as in community and educational theatre. I have designed costumes and sets. I taught theatre arts for forty years, both on the high school and college levels. As a result, I am well acquainted with stage movement-how characters move, why they move, where they move, their gait, their posture, their stance, their gestures and their facial expressions.
It is from this background that I propose to explore how I think Smith’s theatrical knowledge and experience came into play when she drew these cards.
Mary K. Greer just discovered this previously unknown photo of Pamela Colman Smith by her friend, the well-known photographer, Alice Boughton. The source is The Literary Digest, July 4, 1908. Thanks for sharing, Mary!
Artwork by James Boyle
“I’m only up to page 30 and absolutely loving it!!!…This is such an eye-opener and vastly helpful for interpretation. It really makes the reading come alive! What fun! This is brilliant. I haven’t been this excited by a Tarot book in a long time!”
~ Mary K. Greer:
“I have always told me students that Tarot divination in its simplest form involves laying out the cards and allowing them to tell you a story. I think this is one of the best books I have seen for breaking that process down and teaching students how to do that.”
~ Bob Place